PEERLESS PIRATES/ OUI LEGIONNAIRES, Moshka, Wheatsheaf,
10/1/15
It’s hard to know what to say about Cheltenham’s Oui
Legionnaires. On one hand their twitchy
post-rock flavoured emoting feels unexceptional and a good few years out of
date, yet on the other they play with ability and passion that demands
attention. On one hand their angsty US
yelps sound like Doogie Howser getting snarky with his ISP, yet on the other
the insistent cubist guitar parts give them a Cap’n Jazz intensity that keeps
them interesting. On one hand their final
off-mike refrain chanting undershoots its mark and falls awkwardly flat, yet on
the other their toes inwards, balls of the feet, nervous tic meek-core energy
is infectious. It’s fifty-fifty; we’ll
let them play the advantage and see if they can score in future.
Like Post-It notes and selfie sticks, Peerless Pirates’
main idea is so beautifully simple you’re annoyed you didn’t think of it
yourself: The Smiths without the egos. They’ve
taken some of Britain’s greatest pop music, and stripped away not only
Morrissey’s passive-aggressive poetics, but also Marr’s penchant for guitar
hero classic rock chop-wankery; it’s as if the rhythms section ruled The
Smiths, and they were always the best ones (smack notwithstanding). And the true stroke of genius? They’ve filled the void with pirates. Pirates are synonymous with fun, where childhood
abandon meets hard liquor and entry level cosplay, and pretty much make most
things in life more enjoyable. Over the
years Peerless Pirates have become as tight as well-kept rigging and as solid
as a hundred year old capstan, and slowly, unobtrusively their indie-shanty
schtick has become one of the best nights out in Oxford. Barring the odd dashes of Tex-Mex hot sauce,
their sound has not noticeably developed, but their focus has, and we defy
anyone to leave a set like this without a big silly-arse grin.
Plus, because Peerless Pirates were on our radar first,
we’re able to dismiss a certain syndicalism and winkie obsessed comedian as a
mere sartorial copyist of lead singer Cliff Adams. Revolution? Maybe later; for now there’s a rum keg to be
tapped.
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